塩見奈々の木版画
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「自分だけの部屋 ー春秋ー」

約40年前、私はヴァージニア・ウルフの「自分だけの部屋」(みすず書房、川本静子訳)を読み、そこで「女性が小説なり詩なりを書こうとするなら、年に500ポンドの収入とドアに鍵のかかる部屋を持つ必要がある。」という文章に出会いました。当時、アーティストを目指していた私は、この言葉に貴重なアドバイスを得て、その第一歩を踏み出すことができたのです。    塩見奈々


Nana Shiomi is an extraordinary artist-printmaker who studied with us at the Royal College of Art from 1989 - 1991 and subsequently has gone on to a strong career exhibiting her own work and teaching.

She exemplifies the interchange of influences between all parts of the globe but very particularly between East and West that the Royal College has been proud to nurture.

From my first encounter with her, I have noticed a ‘certainty’ in her work. Her vision has a clarity that the precision of printmaking draws out and yet there remains an enigmatic and intriguing space that defies complete analysis. Thus her work is delightful to look at and yet disturbing.

She talks about this fascination with duality and how the print is the perfect vehicle for this interest. Nana’s work quietly gets on with the job of describing a new imaginary territory at the same time as re-appraising the worlds we come from.

Technically her sure touch never lets her, or her audience down. It adds significantly to the tradition of Japanese printmaking but lies with great affection in the heart of out European heritage.

I commend you to the work of Nana Shiomi.

Professor Chris Orr   RA MBE